วันเสาร์ที่ 28 เมษายน พ.ศ. 2555

Nikon 14-24mm f/2.8G ED AF-S


Click view Full Size : Nikon 14-24mm f/2.8G ED AF-S


This lens will attract any photographer, especially photo journalists and landscape photographers. Aside from the amazing image quality, which is deservingly praised here, what really bothered me was the exposed front element. I like to invest in high quality front clear filters (especially the Nikon NC filter), because sometimes Mother Nature is unforgiving.

I can recall times when I've shot at the beach on a seemingly "perfect" day with a very slight breeze. After each shoot, I realized how microscopic sand can get and I would always find dust specks on my NC filters! So I wouldn't dare think of taking this lens out. I don't know how everyone else here is so secure with it. And photo journalists, oh man.

When I shot Canon, I had the 16-35L with a similar design, except the lens hood was humongous and it accept a screw-on filter, even though it was a ridiculous 82mm (or whatever). It took a pretty good beating from door frames, cars, fences, etc. With the bulbous front element of the 14-24G, that's a scary environment.

So yep, I will end my complaints here. I wish Nikon would update this lens to have a more protective option for the front element. Until then, my 24mm f/1.4G ED is GRAND. Actually, more like two grands.

Needed intro
Chasing news stories requires a robust lens that can deliver the sharpest possible images, even at wide open apertures and that is exactly what this lens is designed for - Nikon made this lens for the photojournalist! Most photographers who need such a non-filterable, ultra- wide and fast lens have probably already purchased it without worrying about the level of its optical performance since most
know they can rely on Nikons excellent reputation. If you are reading this review, chances are you probably don’t need this awkward lens and can probably be better served by the AFS 17-35mm f/2.8 instead. Read on though to find out!


Even though this lens was designed for the PJ market, the landscaper who wants a wide focal length can still use this lens for scapes even though he wont be able to screw on filters.

Compared with the AFS 17-35mm
The AFS 17-35mm f/2.8 wide angle zoom is the lens most “other” full frame photographers should have in their camera-bag. It is probably a better design since it doesn't include the "clunk" (look here), it’s more manageable since it’s lighter and much smaller, a little cheaper, easily accepts filters, offers a larger and more usable focal length range and offers the same class of optical excellence. I say same class, even though the AFS 14-24mm is the better performer, since it can extend its excellent center performance all the way out towards the edges of the frame. As you probably have figured out by now, the 14-24mm is not a replacement for the 17-35mm lens - they both serve two different needs. So unless you have a “need” for a very wide focal length I would suggest to most of you to invest in the “easier-to-use” AFS 17-35mm wide angle zoom.

My first contact
I first came across this lens at the D700 presentation. An impressive and very sexy looking lens, but not really suited to the “majority” of photographers as already explained! At the presentation, I used the lens on my D300. I took a number of shots and the first thing I noticed was the sharpness – the results on the LCD screen were impressively sharp! I went through the menu to check whether I had forgotten the sharpening activated in picture controls (since I usually shoot with sharpening set to 0) and amazingly, sharpening was off!


Quick specs
This is the first “ultra” wide angle zoom with a constant fast aperture of f/2.8. The lens offers ED and ASP elements, SIC and Nano crystal coatings, and other technologies such as SWM, IF, D and G - a pretty impressive feature list.
  • Focal length: 14-24mm (21-36mm on the DX format)
  • Lens Construction: 14 elements in 11 groups (2 ED, 3 ASP, 1 Nano Crystal Coating)
  • Picture Angle: 114 - 84° (90 - 61° on the DX-format)
  • MFD: 0.28m @ 18-24mm and 0.22m @14mm
  • Filter Size: None
  • Dimensions: 98 x 131.5 mm
  • Weight: 1000g
  • Diaphragm: 9 (rounded)


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Nikon 12-24mm f/4G ED-IF AF-S DX Nikkor



Image

I do not know about anyone else but I love this lens. I love landscape photography and this lens is one of the best tools to assist you with taking breath-taking shots that are sharp and beautiful with magnificent distance and depth. This is one of the best tools available to get real wide angle and depth if you are using an DSLR camera.
I performed several days of research before purchasing this lens by surfing the net for reviews and reading articles written by professional photographers. 99% of them gave this lens a very high rating… and after using it myself I can see why. The results of my pictures are worth every hard-earned dollar I spent to buy this lens. I purchased the Nikon D-70 camera and set the intent after spending that much for a camera I deserved great lenses to produce pictures that are inspirational and joyful to view. I am not a professional photographer; I am a serious student of photography who appreciates the art form.
Not everyone will have a need for this lens; however, for those of you who want to expand your tools and you want the best and can afford it, “go for it!’
If you want to read some professional reviews visit Nikonlinks.com and kenrockwell.com
Nikonlinks.com has many professional reviews for lenses in all sizes, it is a great site. Kenrockwell.com has great reviews and much “how-to” guidance for both film and digital photography. Both sites are very, very helpful.
Thanks Amazon.com for another great purchase!




Example Picture
Manzanillo Bay Sunset


sample picture Nikon D70s Nikkor 12 24mm G photo photo




First plane with diagonal © JRP

 More Detail : http://www.amazon.com/exec/obidos/ASIN/B000092M1T/tipfla-20





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